Reel / breakdown · D major
Soldier's Joy
One of the most-travelled tunes in the whole Anglo-Celtic world: in Scottish and English collections by the 1770s, a standard of American fiddle contests two centuries later, and still the first reel many East Tennessee fiddlers learn.
Setting 1 session skeleton
X:1 T:Soldier's Joy R:reel M:4/4 L:1/8 K:D |:d2 f2 d2 f2|d2 f2 a2 fd|e2 g2 e2 g2|e2 g2 b2 gf| d2 f2 d2 f2|d2 f2 a2 fd|edcB Agfe|d2 f2 d4:| |:a2 fa b2 ga|f2 df e2 dB|A2 cA B2 cd|e2 dc B2 A2| a2 fa b2 ga|f2 df e2 dB|A2 ce fedc|d2 f2 d4:|
Copy the ABC above into any ABC player to hear or print it. This is a simplified setting; ornaments, variations, and regional bowing are left to the player.
Listen
Where it came from, where it went
Printed in Scottish and English collections in the late 1700s (it appears in Joshua Campbell’s 1778 Edinburgh collection under this title), and by the 1800s it was equally at home in Northumbrian pipe repertoire and Irish céilí bands.
Crossed the Atlantic early and became a bedrock of Southern old-time fiddling. In the Smokies it is played with a driving shuffle bow, often in a slightly “crooked” form that leans on the A part.
The name has drawn folk etymologies for a century — a soldier’s pay, a soldier’s drink, a soldier’s laudanum. None is documented; the honest answer is that we don’t know.
Sources for the full entry will be listed here — collection, page, and date — in the same way an essay cites its references.
Related
- The Braes of Mar — Strathspey, A major
- The Kesh — Jig, G major